From where I am sitting in JFK International Airport in New York, at 2:45am, I can hear cartoons playing somewhere in the distance, the high-pitched voices bantering in English. What an unfamiliar sound. For over 2 months the sounds I've moved through have included sheep bleating, buses squealing, monkeys howling, and vendors greeting me with a "senorita" or "a la orden." The cacophony was at turns jarring and romantic, comforting and seemingly inaudible. And in the midst of all of those sounds, many of which I didn't recognize or couldn't understand, I was free--free to explore, free to begin each day without a plan, free to be Ecuadorian or American, unknown or known, as I pleased.
And now I'm back. I'm back to being American Andi, at home where my language is the dominant one, where my clothing is typical, where my skin color is at the least common and at the most privileged.
I don't know what to think of my new life back here in the states, the one I'm greeting with new eyes and a certain sense of accomplishment. As exhausted as I am in this moment, and as unprepared to be excited about anything until I get a decent night's sleep, I have to say that touching down in New York did inspire a tiny tingle of pride in me. Remember the melting pot? Remember that idea we had about America being a place for the weary, befuddled, lost, castoff, afraid, and dejected all to begin anew? A semblance of this dream, it seems to me right now, is still here--for this is one of a precious few places in the world where many languages are heard at once and where practically no style of dress could possibly warrant a stare. Having felt like an outsider in so many situations in the past months, I can relate to the lure of a place where everyone, supposedly, can belong. In fact, it made me think about how remarkable of a place this city would be as a setting for graduate school--so many layers of hope and conflict, dreams and master plans.
My last week in Ecuador was so rich that it's a pity it won't get its own post. Nothing happened as planned.
For one thing, my arrangements with my artisan friend Letty fell through. We couldn't get out to Intag to see how the fibers were harvested because heavy rains had made the roads impassable. And we couldn't get out to the workshop to see how the bags and lamps were created because they were moving their operation to a new locale and everything was in transit.
And so, with the three days I had planned to dedicate to that outing, I decided to do something else I'd been longing to do. Eric and I had been able to go up to the mountain town of Otavalo, which is famous for it's giant weekly craft, produce, and animal market, but we only got a tiny taste, and I'd yearned to stay longer. So, I took my Rough Guide's recommendation and called up a place called "La Casa Sol," which turned out to be the best lodging experience I've ever had.
La Casa Sol is set up on a ridge above the tiny weaving village of Peguche, just a kilometer or so from Otavalo. It's got one of the most amazing views I've ever seen, and thanks to the beautiful balconies in every room, I got to soak it up to my heart's delight. The place is run by a variety of Otavalenos belonging to various indigenous communities in the region, and they were some of the most gracious hosts I've ever met. They were friendly, energetic, humble, interested, and so proud of their special place. I was the only one at the lodge for the two days I stayed there, and in that time I got to talk with several of them. While Rafael got the fire in my chiminea going, he told me about how hard it is to save up any money in Ecuador, where it's standard to make no more than $200 a month working full time. He has three kids, and says he often thinks about going to work in the United States for one or two years, so he can pay for his daughter's college education. He would just do it to get ahead financially a little bit, he explained, and then he would return. But the fact is that Rafael's dream is common, and the return home he imagines hardly ever comes true.
The folks at Casa Sol helped connect me with a guide, who showed me around to several of the area's artisan workshops, or "talleres." First we went to a weaving shop, where the artisan told me that he never takes his goods to markets because if he does, others will just copy his designs and produce them for cheaper, on mechanical looms. Then we visited Segundo, my guide's house, where he and his family sew cotton clothing with traditional embroidery, and then finally to the home of Senora Matika, who showed me how she spins wool, and also how she makes several traditional foods, such as a soup made of coarsely ground corn, and a remarkably wide variety of beans. It was a beautiful day.
The highlight of this last week though-- and possibly even the highlight of this trip--was accompanying my radio pals to the tiny town of Montecristi, outside of Manta, where we met several of the absolute best Panama hat weavers in the world. My task, besides the occasional attempt at translation, was to take photographs for the story, a job that I enjoyed so much that 4 hours felt like 5 minutes. The story we were doing is so interesting-- it's centered around a former advertising executive named Brent Black, who headed down to Ecuador 20 years ago after a nasty divorce to find out how these storied Panama hats were made. He fell in love with the hats--and became determined to save the endangered art of hat-making, using his ad-savvy and connections in the Western world. 20 years later, he's selling hats for up to $25,000 to movie stars and other folks willing to fork over big bucks for something so unique, authentic, and full of local flavor. Whether Brent--who is, by the way, QUITE a character--has succeeded at "saving" this lost art is a complicated question, and searching for the answer to that question made for some great interviews and conversations during our two days in Manta. I may just end up writing a piece on it-- so I'll save the twists and turns for whenever that may be--with the promise I'll share it if I do.
Instead, I think I'll just share a few of my favorite, recent photos with y'all, and conclude rather inconclusively--since this trip won't really feel over, to me, until I've survived the predicted bout of reverse culture shock, rested extensively, and made sense of the odds and ends, field notes and souvenirs, that I've picked up along the way.
Expect a party, by the way, very soon. I'm putting together a sort of photo-montage-blogumentary-ish thing that I'll be "screening" for whoever has the inclination at some point in the next month. There will be fried plantains at the event, I promise, and possibly even some special prizes. Intrigued? Stay tuned. My most immediate plan upon my return is to take a long, long nap. I'll see you on the other side.